Oil On Canvas, Real Flavor of Old Masters

All Domenico Fetti 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
74603  
Archimedes Thoughtful, Domenico Fetti
  		 Archimedes Thoughtful   1620 Oil on canvas 98 x 73,5 cm cjr
95769  
David, Domenico Fetti
  		 David   circa 1620(1620) Medium oil on canvas cyf
95772  
David, Domenico Fetti
  		 David   circa 1620(1620) Medium oil on canvas cyf
29027  
Ecce Homo, Domenico Fetti
  		 Ecce Homo   mk65 Oil on canves 53 9/16x44 1/16in Uffizi
39621  
Facob-s dream, Domenico Fetti
  		 Facob-s dream   mk150 c.1619
41522  
Girl Reading, Domenico Fetti
  		 Girl Reading   mk164 c.1620 Gallerie dell-Accademia Venice
89676  
Hero and Leander, Domenico Fetti
  		 Hero and Leander   between 1622(1622) and 1623(1623) Medium oil on panel cyf
70754  
hero och leander, Domenico Fetti
  		 hero och leander   cirka 1622-23 pa poppeltra 96x42cm se
92832  
Idealbildnis eines Gonzaga, Domenico Fetti
  		 Idealbildnis eines Gonzaga   um 1620 Medium oil on canvas Dimensions Deutsch: 101 x 88 cjr
95799  
Margherita Gonzaga Receiving the Model of the Church of St Ursula, Domenico Fetti
  		 Margherita Gonzaga Receiving the Model of the Church of St Ursula   circa 1615(1615) Medium oil on canvas cyf
33582  
Melancholy, Domenico Fetti
  		 Melancholy   mk86 c.1620 Oil on canvas 168x128cm Paris,Musee National du Louvre
40424  
Melancholy, Domenico Fetti
  		 Melancholy   mk156 c.1620 Oil on canvas 171x128cm
83752  
Melancholy, Domenico Fetti
  		 Melancholy   Date ca. 1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cjr
87669  
Melancholy, Domenico Fetti
  		 Melancholy   1622(1622) Medium Oil on canvas Dimensions 179 x 140 cm (70.5 x 55.1 in) cyf
84610  
Parable of the Lost Drachma, Domenico Fetti
  		 Parable of the Lost Drachma   Date ca. 1618(1618) Medium Oil on wood Dimensions Height: 75 cm (29.5 in). Width: 44 cm (17.3 in). cjr
84665  
Parable of the Lost Drachma, Domenico Fetti
  		 Parable of the Lost Drachma   Date between 1618(1618) and 1622(1622) Medium Oil on wood Dimensions Height: 55 cm (21.7 in). Width: 44 cm (17.3 in). cjr
88459  
Parable of the Lost Drachma, Domenico Fetti
  		 Parable of the Lost Drachma   1618(1618) Medium Oil on wood cyf
88976  
Parable of the Wicked Servant, Domenico Fetti
  		 Parable of the Wicked Servant   c. 1620(1620) Medium Oil on canvas Dimensions 61 x 44,5 cm cjr
39623  
Perseus freeing Andromeda, Domenico Fetti
  		 Perseus freeing Andromeda   mk150 c.1622 Poplar 40.5x72.5cm
74906  
Saint Mary Magdalene Penitent, Domenico Fetti
  		 Saint Mary Magdalene Penitent   1615 Oil on canvas 99 x 77 cm cjr
76461  
Saint Mary Magdalene Penitent, Domenico Fetti
  		 Saint Mary Magdalene Penitent   Date 1615 Medium Oil on canvas Dimensions 99 x 77 cm cyf
87584  
The Parable of the Mote and the Beam, Domenico Fetti
  		 The Parable of the Mote and the Beam   c. 1619 Medium English: Oil on wood Dimensions English: 24 1/8 x 17 3/8 in. (61.3 x 44.1 cm) cjr
90408  
The Parable of the Vineyard, Domenico Fetti
  		 The Parable of the Vineyard   1618(1618) Medium oil on panel Dimensions Height: 76 cm (29.9 in). Width: 45 cm (17.7 in). cyf
Domenico Fetti
Italian painter , Rome 1589 - Venice 1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.



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